1/31/2024 0 Comments Creative dew ragsOr at least a part time, for the beginning, she can't afford the day care for the whole day.Īnd so on. She needs to find a job, any job, that will bring her regular money so she can feed her child and pay the bills. Is she a single mother with a toddler who came from the countryside to the city? She'd be great at farming, too bad she had to leave and you can't start a farm in a city park, or so the cops claimed. which are playing video games, watching tv shows, and eating. There must be something more suited to his traits. Besides fertilizers smell plus there are bugs and worms, EEEW. Is it a teen who grew up in a city and ran away from home? He won't know a lily from a potato. But she quickly recognized that her art wasn’t about proving her worth to others but rather to herself.I do it based on my characters. When I ask Lee what was the toughest hurdle she’s overcome in the industry, she says it was the struggle to be taken seriously and feeling that the validity of her work hinged on a substantial social media following. “I’ve always had this vision that I wanted to work with my peers, and little by little over time, even if we move away, we still find our way back to each other, and it all started here. “They gave me a lot of freedom, which is really nice because that’s not been the case for a lot of projects for big companies,” says Lee. This collaboration unfolded serendipitously after a friend of a friend wore one of her scarves to a wedding, where a guest noticed it and loved it, leading to an invitation to design a genderless collection. “I was not expecting any of that, but it’s definitely my favorite because it’s the most versatile.”Īnother standout moment is her capsule collection for Urban Outfitters. “I was just wearing it on my head, people are making shirts, tying it to bags, doing all types of things,” says Lee. The idea came after Lee needed something to tie her hair with. Mia Lee draws inspiration from the abstract and cartoon-esque styles of artists like George Condo and Jean-Michel Basquiat.Īmong her favorite creations are her silk scarves and do-rags with her original patterns. “I don’t have any expectations because I wouldn’t want anybody to put that on me,” she says. Still, her smile and the vibrant colors evoke a moment of solitude that isn’t sad but rather peaceful. But now, as the night settles, she finds herself alone. She dons a trendy red ensemble, hinting at the aftermath of a lively night. The first two are an embodiment of all of us, while the demon is a personification of our shadow selves.Īt the End of the Day It’s Dark illustrates a lone woman in an armchair, smoking a cigarette. Each piece tells a different story, but three central characters reappear in her work and are meant to represent everyone: the Gentleman, the Lady, and the Demon. “I like Chopin,” she says, describing his compositions as “an emotional roller coaster” that grounds her through the creative process. “But I want to make the eyes here, and the nose over there, and the teeth jagged.”įor Lee, everything starts with a sketch: “I take the sketchbook to the party.” Whenever she’s drawing-which is almost always-or painting, she listens to classical music. “You got to draw people like what they look like,” says Lee, referring to the conventional norms of visual art. She draws inspiration from the abstract and cartoon-esque styles of artists like George Condo and Jean-Michel Basquiat. Lee’s larger-than-life canvases are drenched in color: lots of greens and blues, rich shades of brown, reds and oranges, and black. Her first pair were the timeless Air Force 1s little did she know that, years later, she’d be collaborating with Nike. At school, where uniforms were mandatory, Lee found an avenue for self-expression through footwear. “I grew up around my cousins, and they were heavily into sneakers, so I was like, ‘I gotta keep up because they are gonna clown me,’” Lee, an only child, says and laughs. “The time I spent around my grandparents really introduced me to the untraditional ways of work.”Įven in her earliest years, Lee was a fashion whisperer, naturally gravitating toward streetwear and sneaker culture. “I never had to convince them, ‘Hey, can I do this?’” she recalls, referring to her family’s unwavering support of her art. As a child, she repurposed scraps of her grandma’s sewing projects to fashion garments for her dolls she’d later pursue a degree in costume design at the University of Illinois. Her maternal grandmother, a seamstress who migrated from Honduras, also encouraged her artistic hand.
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